Advice for aspiring photojournalists

Advice for aspiring photojournalists

This is a post I’ve been meaning to write for a long time. While I’m just starting out in my own career and have a long way to go, I’ve learned some valuable lessons that i’d like to share. Here’s a list in no particular order of personal truths based on my own experiences and others that have helped me. I don’t take my own opinions as gospel, so take from them what you will. Hopefully there’ll be something in here that’ll be useful to you.

Note: This post is about advice on a more personal level. I have another post coming up for more practical tips regarding getting into photojournalism. I’ve also made a list at the bottom of this post of working photojournalists all over the country that are doing great work while highlighting some of their work throughout this post. See if one of them is near you and see how they shoot places that might be familiar to you. 

There is a place for you, no matter what kind of shooter you are.

No matter what kind of a photographer you are, there is a place for you in this industry. I didn’t know that for years myself though. I thought for a very long time that photojournalism was one thing only; LIFE magazine style photo essays; structured  storyboards from beginning to end, focused on one subject that you spent days, weeks or even longer working on. I always felt this underlying pressure that If I wanted to be taken seriously as a photojournalist, I just HAD to do that kind of long form work. The problem was that I didn’t really want to. Even though I appreciated and admired other photojournalists who did, I preferred short stories and daily assignments. I had convinced myself though that that wasn’t “real” photojournalism; that what I did wasn’t “good enough”. I wrestled with this completely self-inflicted guilt of not feeling like a true photojournalist for a long time. It took years of different experiences and conversations with others to learn that it was actually okay to not want to be a social documentarian, and that the term “daily shooter” wasn’t something to be ashamed of; to realize that there was in fact a place for me in this industry.

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Jessica Christian, San Francisco Examiner: Quincy Quinton, right, cries as David Glamamore comforts him while attending a vigil held at Harvey Milk Plaza in the Castro District of San Francisco, Calif. remembering the victims of the Orlando, Fl. shooting Sunday, June 12, 2016. See more of her intimate and poignant work documenting the San Francisco Bay Area here

That’s not to say that I’m still uninterested in photo essays, In fact I’m more interested in them than iv’e ever been. The point I’m making is you should never, ever feel like you have to force yourself into shooting a certain kind of work or adopt a style that isn’t yours because you think it’s what people want or that it’s the only way editors will take you seriously. I still remember being told by a staffer at a paper that different interns would come in and shoot in a way that they thought the editors wanted, when really the editors chose the interns because of the fact that they saw things differently. Be honest with yourself and embrace the kind of work that you really want to do, because that’s the work that editors want to see. I remember another editor telling us that they didn’t care what it was that you wanted to do. That if you wanted to shoot something like a series of dressed up dogs they’d still take a look at it. So do everything you can to express your own vision in your work, and I promise you, there will be people who WILL appreciate it.

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Adria Malcolm of American Reportage has a great ongoing series of the town of Santa Rosa, NM, a town along Route 66 that is struggling to survive. You can see more of her images and writing here

It’s okay to not know what kind of photojournalist or even what kind of photographer you want to be.

I didn’t know that I wanted to be a photojournalist when I first picked up a camera. I got my start in shooting landscapes, and kept shooting them as I got more involved in photojournalism. I particularly loved panoramas and long exposures; not exactly hard hitting photojournalism. It turned out that my love for long exposures and other aspects of landscape such as color and composition were ideas I could bring to the way I shot photojournalism. No matter what kinds of other photographs you enjoy taking, there are aspects that you can apply to your own shooting. More than that, many photojournalists have other passions that they funnel into their work. Think about those other passions and interests you might have. Ask yourself how they may better inform your personal vision or what kind of work that you gravitate towards. Give yourself the space necessary to grow and experiment. Master the technical aspects of your equipment and pursue a deeper understanding of how you see and what you are drawn to.

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Matt Gade of the Daily Republic in Mitchell, SD posted this just a few days ago: ‘The Dakota Wesleyan University football team gathers for a team prayer at about midfield after being introduced to the crowd prior to the Tigers game against the Jamestown Jimmies on Saturday afternoon.’. You can see more of the great work Matt does on his website

 looking at the work of others can help. 

Check out NPPA’s monthly clip contest entries to see good work from all over the country. Go see if your college library has some books on photojournalism. Check out photo websites like the image deconstructed. Look at’s Lightbox, or the week in photos from various publications. It’s never been easier to see and admire good work.

It wasn’t until I spent a lot of time actually looking at the work of photographers I admired that I began to move away from my own narrow view of  photojournalism. The way Alex Webb used color, Damon Winter of NYT used light or Matt McClain of WaPo used composition. I loved how these photographers could take anything from a general news story or an everyday element of life and could turn it into something that escaped the daily news cycle and stood by itself as something memorable and beautiful. I remember one photo in particular that, silly as it may sound, changed almost everything for me. It was a photo McClain took of a church that was building a pipe organ. He shot it through a cutout in the shape of a cross in the doorway. Seeing the photo now I think it’s still pretty clever, but when I first saw that photo it made my mind explode like a supernova. Through seeing images like that and others, I started to consciously grasp the concept that photojournalism could be and is so much more than just documenting a subject or event. That there is in fact a deeper language to the medium; of not just seeing light, color and symmetry but actually feeling them as viscerally as one feels emotions. Ever since, Iv’e been addicted to finding those kinds of images in the day to day; those little moments where humanity is shown and in which light, sound and motion intertwine with one another.  I truly believe that there can be just as much magic in an everyday moment as there is in a major news event. It doesn’t happen all the time, but that’s the goal day in and day out.

The same concept of framing was used to brilliant effect in this photo by Taylor Irby of the Manhattan Mercury in Kansas for a story on a cowboy country church; a photo that she won first place for in the recent NPPA clip contest for the Central region.

Professionals shoot awful photos (too)

I spent my first couple years starting out looking at the work of other young and talented photographers. I’d count on my fingers the number of years between their age and mine, to the point that I felt like if I wasn’t on the front page of the New York Times by the time that I turned 21 i’d be a failure. Looking at the work of others stopped being constructive and just became self abusive. All i could think about was how much better those shooters were than me. I truly felt that the work they did was something I couldn’t do myself; that their vision was something inherent in them, not honed through years of learning and practice. I didn’t understand at the time that the problem with looking at only the highlights of other peoples work is you begin to assume that they’re always shooting great images, and that couldn’t be further from the truth.

I was at a workshop where a photojournalist who’d been working for many years gave us a presentation of an assignment that they shot for the New York Times. We were able to see their entire take from that assignment, and I saw that a whole lot of those images weren’t good. In fact, some of them were just awful. If any of us are being honest, there are hundreds, sometimes thousands, of photos we take on our assignments that no one will ever see (or at least we hope not). But I think it’s important that newcomers know that there’s a lot of truth to the saying that “most people only see 2% of an artist’s work. ”

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Nicole Hester, Natchez Democrat in Mississippi: Elijah Davney 10. Minorville Jubilee. 2017. See more of her incredibly creative work here

It’s a marathon, not a race.

Sure, there may be some prodigies of photojournalism, but the vast majority of the people who work in this industry are people who just refused to quit. Even when you reach a level you’re proud to be at, there’s still more to learn and even more bumps in the road to overcome. you’re going to have times when you feel insecure no matter how good you get; times where you wonder if this is what you’re really supposed to be doing or if you even have what it takes. The answer is simple: you do. As one photographer I listened to said “if you spend your time wondering about where you’re going to be ten years from now and try to plan it all out, you’ll freak yourself out and defeat yourself before it can even happen. All you have to do is focus on the next picture; about the assignment today and what you’re going to be doing tomorrow. If you do that every day, I promise you that the rest will take care of itself”.

So go out to shoot, even in the times when you don’t feel like it or don’t have a clear idea of just what it is you’re going to photograph. Look up different photo exercises you can do. Petapixel has a slew of articles to get your mind going. It’s hard to really notice your vision developing from one day to the next, but if you put the time in, step back after a month or a year, and you’ll be almost sure to see a clear and discernible difference in your work. After all, the moon isn’t moving fast as you look at it, but it still makes it to the other side of the sky each night.

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Joe Ahlquist of the Rochester Post Bulletin in Minnesota took this great series of images at a county fair. See more of those images here and more his other work here

You can make great work anywhere.

There is fantastic work being done every day by photojournalists all over the United States in areas large and small. That’s because there is an entire world of photojournalism that goes beyond the daily news cycle or the major national stories. You don’t need to live in a big city or move to a different country to create compelling images. Great moments are everywhere, and the more you shoot the more you will intuitively recognize them around you. Check out some of the work of people I posted below, and seriously, check the monthly clip contests of NPPA. Take note of how many of those great images are of moments that happen in your own town or city.

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Sam Owens of the Evansville Courier & Press: “Jamison Heitger fights off boredom as he waits for his turn to bat during his last little league baseball game of the season held at a Scott baseball field in Evansville, Indiana, June 5, 2017.” Click here to see more of the great work she’s doing.

Rejection and disappointment happens, and that’s okay. 

If you do this for even a little while, you’ll be rejected, whether it’s for pitching a story or applying for an internship, staff position or workshop. Sometimes the rejection hurts a lot, even after it’s already happened times before. Iv’e been a finalist for internships and staff positions at more than a dozen publications only to end up not being chosen, and no one feels pride about the dozen times they almost got the job. Sometimes it’s hard to not take it personally as a referendum on your work or even yourself. Trust me, its not. There are a lot of reasons for why you might not have been the one chosen that have nothing to do with you.

It’s also important to be happy for other people, even when that’s the last thing you feel. Earlier this year, three months after I’d been laid off by the Rapid City Journal in South Dakota, I applied for an internship at another paper in the region. My lease was up in a month and I knew i’d have to go back to DC if I didn’t land something, so I did everything I could to get it. I even offered to drive the couple hours to get there to meet everyone in person. I spoke with their editor, went on a ride along with one of their reporters, was given a tour of the city and the paper itself, and then met up with the editor again the next morning. I was so sure I was going to get the internship I even mentioned I was looking at apartments. I drove back home without an offer but was convinced I’d get one.

And then I didn’t. Instead I was told that they offered the internship to a college student.

Was I disappointed? Yes, deeply. but I also understood that it was going to be a great opportunity for the person getting it, even if that person wasn’t me. Iv’e had my opportunities, and this one was theirs. You might forget it sometimes, but you’re not entitled to anything no matter how skilled or qualified you might think you are. It’s important to be grateful for the things you’ve already been able to do and to be happy for the successes of others. Recognize that this is not a competition and that we really are all in this together. Yes, It’s okay to feel depressed and dejected at times. It happens. But you can’t let those feelings fester into sustained bitterness and resentment. It helps no one and only hurts you.

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Josh Morgan has a great series of images from his time spent covering the Dakota Access pipeline protests in Cannon Ball, N.D. You can see more of that work here

You might not change the world, but you can effect someone else’s.

There are plenty of images that come to mind as examples of imagery that moved many and reshaped public opinion; the Vietnam Napalm Girl, the Iwo Jima flag raising, the falling man on September 11th or the body of toddler Alan Kurdi on a turkish shore. The list goes on. We all hope to make such impactful images at some point in our lives, but really, the greatest gift that this profession has to offer is that it allows for the ability to make little differences each and every day, whether you’re starting your first entry level staff position, shooting a class assignment for school or just working on your portfolio.

And just because a certain assignment or subject may not matter to you doesn’t mean that it doesn’t matter to someone else. That restaurant shoot? It means a lot to the owner of that restaurant who just opened and is trying to get people through the door. That charity organization profile? It means a lot to the people that have been doing their work for years without being publicly recognized. Another night shooting another high school football team? That team captain is carrying a copy of the paper to show his friends and his parents are sharing those photos on facebook. You have no idea how much of a difference you might be making, even with something as simple as sending someone a feature photo you took of them. For all you know they hadn’t received a photo of themselves in years. No matter what level you’re at, you have the ability to make this kind of difference every day. That’s something to aspire to, and that’s something to be really proud of.

I really hope you were able to gain something from this post. Feel free to post any questions or comments you might have, or send an email to Thanks for reading.

Various working photographers whose work I admire in no particular order. Of course, the amount of photographers who’s work I admire is longer than this list, but for practical reasons I’m keeping it a reasonable length. 

Taylor Irby, Manhattan Mercury

Adria Malcolm, American Reportage

Josh Morgan, Greenville News

Caitlin Penna, North Carolina

Demetrius Freeman, NYC

Jabin Botsford, Washington Post

Josh Galemore, Casper Star-Tribune,

Jessica Christian, San Francisco Examiner

Brontë Wittpenn, Billings Gazette

Sam Owens, Evansville Courier & Press

Manuela Montañez Guerra, NYC & Bogota

Joe Ahlquist, Rochester Post-Bulletin

Matt Gade, The Daily Republic

Charles Mostoller, Philadelphia PA

James Tensuan, San Francisco, CA

Marcus Yam, Los Angeles Times

Dorothy Edwards, Naples Daily News.

Andrew J. Whitaker, Southeast Missourian

Alyssa Schukar, Chicago IL

Jake May, Flint Journal.

Matt Cohen. SF Bay Area

Scott Strazzante, San Francisco Chronicle. 

Stuart Palley. Southern California

Nic Antaya, Grand Rapids Press. 

Melanie Boyd, Mississippi

Jessica Lehrman, NYC

Kevin Hume, The Storyteller Studios

Joe Lamberti, The Courier-Post

Nicole Hester, Natchez Democrat

Angus Mordant. NYC

Alyse Young, Louisville, KT

Shaban Athuman, Bowling Green, KT

Dougal Brownlie, Colorado Springs Gazette

Zac Popik, Kent State

Eslah Attar, Kent State

Michael Noble Jr. NYC

Dominic Valente, The Daily Herald 

Chris Gregory, NYC

Ryan Michalesko, Southern Illinois

Logan Riely

Megan Farmer, KUOW Public Radio

Eli Hiller

Junfu Han, Detroit Free Press

CS Muncy

Isaac Hale, Daily Herald


Skyline Drive, A place for Fall.

Skyline Drive, A place for Fall.

The air is getting cooler and pumpkin spice lattes have made their triumphant return, which means that Fall is upon us! Since the green leaves of summer will very soon be turning to their autumn hues, I thought i’d make a short post of one of my favorite places to experience the season while still remaining in the DC area. I’m talking about Skyline Drive in Shenandoah National Park, and if you haven’t already been there, the next couple months are gonna be just the right time to do so!

Note: Iv’e linked most of the images here to my website where you can see them fullscreen. 

Beginning at the foot of Front Royal where the two branches of the Shenandoah River meet, Skyline Drive is one of the most majestic roads that there is in the entire Mid-Atlantic region. Built by the WPA in the 1930’s, Skyline Drive follows the crest of the Blue Ridge for over 100 miles South to Waynesboro and Charlottesville, offering stunning views of the Shenandoah valley and beyond from its 75 overlooks.

Autumn in Shenandoah National Park. As Seen from Skyline Drive in the Early Morning.
Autumn in Shenandoah National Park. As Seen from near the Pinnacles Overlook along Skyline Drive in the Early Morning.
Blue Ridge Mountains at Dusk. Shenandoah National Park.
Blue Ridge Mountains at Dusk. Shenandoah National Park.
Moonlit Night over Skyline Drive. Shenandoah National Park.
Moonlit Night over Skyline Drive. Just South of Big Meadows. Shenandoah National Park.

Starry Sky over Shenandoah National Park

Sunset from Skyline Drive in Virginia's Shenandoah National Park.
Sunset from Skyline Drive in Virginia’s Shenandoah National Park.
Autumn Leaves along Skyline Drive.
Looking into the valley from the Northern area of Skyline Drive.
Looking into the valley from the Northern area of Skyline Drive.

Skyline Drive is a part of Shenandoah National Park, with trailheads from the drive  leading to waterfalls and mountain crests like Old Rag, and wildlife such as white-tailed deer and black bears abound. While the drive is wonderful at any time of the year, I truly believe it is at its best when the sun rises and sets, the former especially in the autumn months when the forests covering the blue ridge turn into a vast sea of crimson, yellow, purple and orange, with the air itself being refreshingly crisp and smelling of the season. Little Devil’s Stair, Hogback, Pinnacles, Rattlesnake Point and Big Run are just a few of the overlooks that offer great vantage points for sunrise and sunset, with sweeping views of the series of crests that make up the blue ridge and the many small valleys they create and the towns that line them; lighting up the valley as the sunset gives way to dusk.

Dusk along Skyline Drive in Virginia's Shenandoah National Park.
Dusk along Skyline Drive in Virginia’s Shenandoah National Park.
Sunrise from Little Devil's Stair overlook. Shenandoah National Park Sunrise.
Sunrise from Little Devil’s Stair overlook. Shenandoah National Park Sunrise.


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In the autumn months you will see cars dotting the overlooks facing towards the setting sun like a drive in movie theater, while surprisingly enough you’ll find even in the autumn months the drive almost deserted at dawn, allowing you your own private show of a brilliant sunrise. It’s also a good way to avoid the crowds of leafers, as they’ll be choking up the road going one way as you go the other. When autumn is at its peak, the forests lining the road turn vibrant hues of yellow, with tourists parked along both sides of the road to get out and take a look.

And for those who love stargazing…

There are few places more magical at night than Big Meadows, true to its name lying almost at the midway point of skyline drive and offering an unobstructed view of the night sky from one end of the horizon to the other. Big Meadows is one of the more popular areas to watch meteor showers, and on a clear night one can easily make out the milky way. While it is most visible in the summer months, the milky way can still be seen any time of year.

Milky Way Galaxy over Big Meadows. Shenandoah National Park.
Milky Way Galaxy over Big Meadows. Shenandoah National Park.
Sunrise over Big Meadows, Shenandoah National Park. Virginia.
Sunrise over Big Meadows, Shenandoah National Park. Virginia.

A crescent moon is seen in the early morning sky at dawn, as seen from Big Meadows along Skyline Drive.

The sun begins to rise over Shenandoah National Park, as seen from Big Meadows along Skyline Drive.

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Big Meadows is also a wonderful place to experience the dawn, as one end of the horizon may still have stars dotting the darkened sky as the first hues of sunrise begin on the other.

Note: Check for weather updates if you happen to be up there at night. Sometimes heavy fog will inundate the ridge, making driving a little difficult…

Not fun.
Not fun.

To get there: The Northern Entrance to Skyline Drive is located just outside of Front Royal, a small town 75 miles West of D.C. directly off of I-66, the drive itself there averaging around an hour and a half. 

Entry Fee: $25.00 for a 7 day unlimited pass. However, their payment booths close at night while the road remains open. So if you’re trying to be cheap, or just want to leave a donation of your choosing, you can do that too.

-Craig H

The Month in Photos: August.

The Month in Photos: August.

So since it’s now September, I thought I’d make a little post about the month of August, which was a fantastic month for images. Easily the best so far since I started in late June. Shooting nearly every day again after not doing so for almost 5 months has me feeling sharper visually, and with fall right around the corner, a time in which West Virginia explodes in color, the photos will hopefully continue to keep coming.

Alan Withrow of Poca jumps to block Josh Hoffman during a half court game outside of the Nitro High School football stadium during the Wildcats game against the Poca Dots on August 25, 2017 in Nitro, W.V.
Landon Coleman, 11, playfully runs a relay around stacked arrows before target practice as part of the Centershot program at St. Peters church in St. Albans, W.V., on Wednesday, August 30, 2017.
A group of students walk down a long hallway during open house at Herbert Hoover High’s new portable complex in Elkview, W.V., on Friday, August 11, 2017.
Lightning strikes over a rest stop along Route 240 in Virginia last night.
Belinda Harnass, Housing Authority director for Mingo County, looks into a room at the Sycamore Inn in Williamson, W.V., on Wednesday, August 09, 2017. The County is moving to turn the Inn into a center for continued sobriety of recovering addicts, to the ire of the local city government.
Authorities remove cats from a residence in Kanwaha City on Tuesday, August 29, 2017. An estimated 80 + cats were removed from the house.
Many friends, family and members of the Brother’s Keepers Motorcycle Club, of which Denise Fernatt was a member, gathered for a candlelight vigil in her honor at Hughes Creek Community Church of God in Cedar Grove, W.V., on Friday, August 11, 2017.

Of course, we all know that the Great American eclipse stole the show this month, and for perfectly good reason; It was nothing short of breathtakingly ethereal. I drove down to South Carolina for it, where my good friend Josh Morgan is currently working as a staffer for the Greenville Tribune. It was great catching up with him and our friend Angus Mordant, who does work as a stringer for the NY Daily News. We spent the weekend together and shot the totality, Josh from the top of the highest building in the city and Angus & I down in Falls Park where hundreds had gathered to watch. As totality neared the area began to turn a golden hue as though it were late afternoon, and the crowd cheered with every noticeable shade the area became darker. As soon as totality hit however, late afternoon almost instantly turned to dusk. People shouted and applauded witnessing this unbelievable spectacle; a black orb vivid in a cobalt blue sky where the sun had been a moment ago. Looking through my camera, the corona of the sun was clear as a beautiful and delicate light that seemed to dance around the moon, rolling outward like a shining wave. Knowing time was very short I quickly snapped a few close images before shooting what I could of the surrounding landscape and the people lining the bridge directly above us. I was glad to be able to have some kind of foreground in the image, as it was 2:39 in the afternoon and the sun lie almost straight up above us.

Crowds of people gaze and snap photos of totality during the great American eclipse in Greenville, SC., on Monday, August 21, 2017.
Falls Park goes dark during totality of the great American eclipse in Greenville, SC., on Monday, August 21, 2017.
The great American eclipse is seen in totality in Greenville, SC., on Monday, August 21, 2017.


Nathan Kagolanu and Fiorella Tello wait for totality of the great American eclipse in Greenville, SC., on Monday, August 21, 2017.


Shawn Anthony, 6, of Charlotte looks through his solar glasses during the great American eclipse in Greenville, SC., on Monday, August 21, 2017.

This month started out continuing ride alongs with EMS supervisors in the city as they went from scene to scene, with breaks in between at the firehouses on either side of the city. While the focus of the written story was on new mindfulness classes offered to fire & ems personnel, I had the opportunity to speak with them more directly about the effects that the opioid epidemic is having on their resources. I learned that one of the largest issues that they are facing is the avalanche of calls received that turn out to be false alarms, one common scenario being calls from bystanders calling about someone lying on the ground who they believe might be overdosing, only for personnel to show up and discover it’s just a person taking a nap on the grass. While personnel are grateful that bystanders do call in when they think their might be a problem, they are frustrated that most of the time, bystanders themselves will do nothing to see if the person is in fact just someone napping on the grass, instead their first and only step being to call 911. Another issue is that because the epidemic is so pervasive, crimes that in the past may not have been necessarily drug related, from domestic abuse to car accidents and robberies, are now often a factor. It seems, there are few crimes committed now in which drugs are not involved.

EMS Supervisor Mace and Paramedics tend to a woman believed to be overdosing on methamphetamine on a street in Charleston, WV on August 2, 2017. Paramedics have been flooded with calls related to overdoses, stretching their already limited resources.


Paramedic personnel at work in Charleston on July 26, 2017.
Paramedic personnel at work in Charleston on July 26, 2017.
Captain Mark Strickland drives on patrol in Charleston on July 26, 2017.

This month was also the first time that I photographed one of Pres. Trump’s rallies. I think anyone that knows me already is well aware of my feelings regarding him, so i’ll move past this one.

Wayne County residents Elaina Farr, Sydnie Benson and Emily Robinson hold up a Donald Trump campaign flag as Carla Russell watches outside the Big Sandy Superstore Arena in Huntington on Thursday afternoon. Trump, the nation’s 45th president, was scheduled to make a campaign-style appearance in Huntington on Thursday evening.
From left, Betsy Forester, Sally Roberts Wilson and Charlene Vaughan protests outside of the Big Sandy Superstore arena before Pres. Trump’s rally in Huntington, W.V., on Thursday, August 03, 2017.
From left, James Davis of Huntington, Garry Pauley of Charleston and Donna Childers of Huntington wait for the start of Pres. Trump’s political rally inside the Big Sandy Superstore arena in Huntington, W.V., on Thursday, August 03, 2017.
President Trump holds up a sign handed to him by a supporter during a political rally inside the Big Sandy Superstore arena in Huntington, W.V., on Thursday, August 03, 2017.
A protester is forcibly removed during Pres. Trump’s political rally inside the Big Sandy Superstore arena in Huntington, W.V., on Thursday, August 03, 2017.
From right, David Thompson, Scott Ratliff, Angel Staten, Greg Miranda, Mike Otter, Paul Nemeth and Tim Bolen of the IATSE Local 369 bring down a large American flag after President Trump’s political rally at the Big Sandy Superstore arena in Huntington, W.V., on Thursday, August 03, 2017.

This month was very varied in subject matter. While July saw mostly tennis and golf, this month had me shooting a little bit of everything. I particularly loved going to spend a day at the state fair, despite having a pretty bad cold at the time. I’d never photographed a state fair before, and I love the visuals they bring about in my head-The stock shows, the carnival rides that turn into a sea of blinking vivid lights in motion at dusk, the cheap food and of course, waves of people from every corner of the state.

Fairgoers are reflected in a puddle at the State Fair of West Virginia in Lewisburg, W.V., on Wednesday, August 16, 2017.
Maci Bostic, 5, and Aubree Blake, ride teacups at the State Fair of West Virginia in Lewisburg, W.V., on Wednesday, August 16, 2017.
Alex Hobbs, 7, of Monroe County sits on a motorcycle ride at the State Fair of West Virginia in Lewisburg, W.V., on Wednesday, August 16, 2017.
A bingo booth is seen at the State Fair of West Virginia in Lewisburg, W.V., on Wednesday, August 16, 2017.
Abigail Okes of Okes Family Farms in Raleigh County shaves Jack, a Yorkshire pig before the showmanship show in the morning at the State Fair of West Virginia in Lewisburg, W.V., on Wednesday, August 16, 2017.
Edith Wade of Blue Rock Swine gives a wash to a Chester White pig before tomorrow’s show at the State Fair of West Virginia in Lewisburg, W.V., on Wednesday, August 16, 2017.
At the State Fair of West Virginia in Lewisburg, W.V., on Wednesday, August 16, 2017.
Isabell Vaughan, 11, shares a quiet moment with ruby red, a heifer calf at the State Fair of West Virginia in Lewisburg, W.V., on Wednesday, August 16, 2017.
Rylan Vaughan, 11, walks ruby red the heifer calf after a wash at the State Fair of West Virginia in Lewisburg, W.V., on Wednesday, August 16, 2017.
Arika Jayne of Alderson gives some attention to a pig at the State Fair of West Virginia in Lewisburg, W.V., on Wednesday, August 16, 2017.
Children run inside an obstacle course at the State Fair of West Virginia in Lewisburg, W.V., on Wednesday, August 16, 2017.
Kaysee Amick helps her nephew Brenten Ritchea, 4, win a shooting game at the State Fair of West Virginia in Lewisburg, W.V., on Wednesday, August 16, 2017.
Karl Riffe and his son Garrett, 12, enjoy a ride at the State Fair of West Virginia in Lewisburg, W.V., on Wednesday, August 16, 2017.

This month also saw the beginning of football and soccer! Two sports iv’e come to very much enjoy shooting, not only for the action on the field but even mores for all that happens off it!

Winfield’s Sydney Cavender and Peyton Frohnapfel collide with Midland’s Maddie Meehling and Rayen Ciccollen during the Winfield lady Generals match against Cabell Midland at Winfield high school on Tuesday, August 22, 2017.
Fans Katie Burns, Lexi Crompton and Maddie Dawson wave the Hurricane flag during the Hurricane Redskins-Winfield Generals football game at Hurricane High School on Friday, August 25, 2017.
Trevon Scruggs, 10, runs through for a touchdown as Noah Petty and Brycen Orcutt try to block him as they play a makeshift game on a grassy field before the South Charleston Black Eagles -George Washington Patriots football game at South Charleston High School on Thursday, August 24, 2017.
Jr. ROTC cadet Hydiah White dances to music played over the loudspeakers as Dillon Tucker laughs before the South Charleston Black Eagles -George Washington Patriots football game at South Charleston High School on Thursday, August 24, 2017.
The South Charleston Black Eagles make their entrance before their football game against the George Washington Patriots at South Charleston High School on Thursday, August 24, 2017.

Well that’s it for now. Iv’e got a number of other written blog posts on the way, so they’ll be coming out soon! Thanks for stopping by.

-Craig H